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Multiple captures per microphone to allow for deep tonal sculpting.
24-bit files at 44.1k, 48k, and 96k sample rates.
is often described as a "tone monster" suitable for a wide variety of genres, from clean worship and blues to rock.
Shure SM57 (modern and vintage), SM58, SM7, Sennheiser MD421, and e906. Ribbons: Royer R-121, Beyerdynamic M160, and AEA Nuvo N22. Condensers: Telefunken U47 and Neumann KM 184.
500ms IRs for maximum resolution, which hardware units will automatically truncate as needed.
Multiple captures per microphone to allow for deep tonal sculpting.
24-bit files at 44.1k, 48k, and 96k sample rates.
is often described as a "tone monster" suitable for a wide variety of genres, from clean worship and blues to rock.
Shure SM57 (modern and vintage), SM58, SM7, Sennheiser MD421, and e906. Ribbons: Royer R-121, Beyerdynamic M160, and AEA Nuvo N22. Condensers: Telefunken U47 and Neumann KM 184.
500ms IRs for maximum resolution, which hardware units will automatically truncate as needed.
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